Canvassing Taboo: African Sexuality as Post-Cultural Discourse in the Kenyan Disconnect 2 and Nafsi Films

Authors

  • Fredrick Oiye Department of Journalism and Mass Communication, University of Nairobi
  • Michael Kamau Department of Journalism and Mass Communication, University of Nairobi
  • Elias Mokua Jesuit Hakimani Centre
  • Leah Wangui Department of Journalism and Mass Communication, University of Nairobi

DOI:

https://doi.org/10.58216/kjri.v14i3.477

Keywords:

Sexuality, Narratives, Culture, post-cultural

Abstract

Sexuality narratives in the Kenyan film industry play a crucial role in directly and indirectly shaping narrative interests, addressing stakeholder concerns, and delivering effective messaging. Locally, these narratives are closely monitored, regulated, and classified due to their sensitive nature, compounded by their evolving nature as newer sexuality concepts integrate with traditional paradigms. This study aims to explore the social conceptualization of African Sexuality as a Post-Cultural Discourse in the Kenyan films Disconnect 2 and Nafsi. Utilizing film analysis and key informant interviews with industry professionals, the research reveals that post-cultural sexuality narratives are presented as non-threatening sexual ideals and practices that can coexist harmoniously with traditional sexual paradigms. Recommendations include establishing a structured hierarchy for sexual narratives in film production to depict both traditional and post-cultural themes effectively. By incorporating consequences within the post-cultural discourse, audiences can better engage with and understand the complex sexual ideologies presented in these films.

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Published

2024-10-18

How to Cite

Oiye, F., Kamau, M., Mokua, E., & Wangui, L. (2024). Canvassing Taboo: African Sexuality as Post-Cultural Discourse in the Kenyan Disconnect 2 and Nafsi Films. Kabarak Journal of Research & Innovation, 14(3), 276–284. https://doi.org/10.58216/kjri.v14i3.477

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